Wednesday, 8 December 2010

Movie Review: Whip It

While the majority of this blog, will be devoted to my ongoing Roller Derby misadventures, I still want to take the occasional diversion into various offshoot, the first of which I present here, which has been largely carried across from the original review I did over on my cult cinema blog "From The Depths of DVD Hell", as I was happy with the opinion I had after my first viewing and have now added a few changes, with things I noticed after giving it a second viewing, especially after my original thoughts on the film were so enthusiastically opposed by certain members of the "Roller Wenches".


Title: Whip It
Director: Drew Barrymore
Released: 2009
Staring: Ellen Page, Marica Gay Harden, Kristen Wiig, Drew Barrymore, Juliette Lewis, Jimmy Fallon, Eve, Zoe Bell, Andrew Wilson, Alia Shawkat, Landon Pigg

Rating: 2 / 5

Plot: Regular beauty pageant contestant Bliss (Page) is tired of her small town Texas life, especially being continually forced to compete in pageants by her mother (Harden). After discovering roller derby, she suddenly finds a new lust for life, as she begins skating for local derby team “The Hurl Scouts” under her new identity Babe Ruthless.



Review: Ever since Ellen Page pulled the indie double whammy of “Hard Candy” (2005) and “Juno” (2007) she has been an actress whose films I tend to look forward to and this film was no different, especially seeing how it seemed from the trailer to combine the wit of Juno with the brutality and excitement of roller derby, which was also another big draw for this film, being a big fan of Roller Derby, despite the severe lack of derby teams that we have over here in the UK, especially when compared to the US..... but then who doesn’t like the idea of hot punk chicks on skates?!?
The other plus this film had going for it, definitely has to be the involvement of former derby skater Shauna Cross, who wrote the original novel based on her experiences on the derby circuit, while also adapting it into the screenplay here, bringing a certain level of authenticity to the script, which is appreciated especially seeing how sports movies are notoriously tricky creatures, with the main failings often coming from the inability to replicate the same feelings and emotions associated with the sport in focus, especially to those who are new to the sport in question.
Sadly despite these two pluses, this is a film which falls seriously flat, proving to be a crushing disappointment, which I found even more so being a derby fan, especially as I was especially looking forward to finally getting to a great derby movie which this film really isn’t.

The themes of rebelling against the norm and breaking out, are certainly an obvious choice for the directorial debut of the former wild child Barrymore, though without a director with a firm grip on her reigns, she is here free to be as kooky and oddball as she wants, ultimatly meaning (as much as this pains me) that she is responsible for providing one of the most irritating characters in the film “Smashley Simpson”, spending every moment she is on screen, mumbling unintelligible dialogue and overacting pretty much every scene she appears in, thankfully her appearances are kept to a minimum. Still other supporting members of the cast fair a lot better such as stunt woman turned actress Zoe Bell turning up as “Bloody Holly” and giving another great laid back performance, which while it’s true might not be much of a stretch from her acting debut in “Death Proof” (2007), it doesn’t at the same time leaving her standing out, much like the brief but fun cameo by Har Mar Superstar, who shows up as the coach of the “Fight Attendants”, which can also be said of Jimmy Fallon’s role as the loud mouth announcer Johnny “Hot Tub” Rocket”, providing his various random insights as part of his role of sole commentry of each match.
The most noteworthy performance here though is courtesy of Juliette Lewis as “Iron Maven” who takes a special dislike to Bliss, seeing her as a threat to her top spot status and Lewis clearly relishes taking on one of the few meaty roles on offer, as she manages to be both brutal on the track, as she is with her bitchy words of the track.

Sadly Ellen Page despite still giving a good performance and remaining an actress to watch, here comes across bored, as she almost shuffles through her lines despite the trailer coming across like Juno on wheels, “Whip it” is sadly a far cry from the witty observations of Diablo Cody’s Oscar winning script and in a way it appears that the script is perhaps trying too hard to corner the indie youth market, by giving us an alternative rom-com, which is an area that it especially fails hard in, with the love interest, Skinny indie kid in a band Oliver (Pigg) provides almost as many grating moments as Barrymore, as I found myself having to endure the supposedly hip dialogue between Bliss and Oliver, which comes off more stale than anything resembling memorable, with Pigg having all the appeal of a squashed frog and with almost zero chemistry between either Page or Pigg, meaning that your listening to Bliss pining after him, but from Page’s performance, you get more the feeling that she really doesn’t care, which could almost be summed up by the limp wristed slap to the face, she dishes out after discovering Oliver’s cheating ways, while at the same time working against the tough girl image she’s been developing since joining the Hurl Scouts, seeing her standing up to the same preppy girls who are seen tormenting her at the start of this film and by the time this limp wristed slap is dished out, it kind of left me thinking why bother? I mean I would have much preferred she punch him out, or at least give it some gusto, than such a weak excuse for a slap.

Soundtrack wise it is a pretty sad state of affairs with the majority of the soundtrack, made up of dreary sounding indie tunes, with the few standout tracks, all being well known tracks by established bands like Radiohead, MGMT and The Breeders and these soundtrack choices, kind of came of a surprise seeing how grounded in the roots of punk rock the derby scene is, I was expecting more of a punk soundtrack than laidback indie, which really doesn’t work and feels like another attempt to be hip, much like the frequent references to Austin resident Daniel Johnson which pop up in the film, rather than providing anything resembling a suitable soundtrack, making the experience feel largely like your watching the film with the radio on at the same time.

“Whip it” is a film which sorely disappointed me, especially having all the build up as being something fun and different, but sadly beneath all it’s wannabe indie cool and stick on tattoos, it is just a pretty simple by the numbers coming of age flick, with a slightly interesting angle, provided by being set in the world of Roller Derby, which is sadly under used with Barrymore more keen to focus on the world outside of the derby ring, than the battles fought on the track, but lacks the sharpness in it’s script to hold the attention, especially when such a large chunk is especially being dedicated to a relationship with a thoroughly unlikeable character, making in turn parts of this film hard to sit though and certainly had me wishing for the power to just cut these scenes completely. I guess in conclusion that the wait for the great derby movie continues, as this really isn’t it, despite what it might seem on the surface.

2 comments:

  1. i know what you mean, but this film is what brought derby into my life so there will always be room for whip it in my dvd collection :D

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  2. It's in my collection, as a weird guilty pleasure, much like "Domino" and part of me wishes I liked it more, but then I remember the supposive love intrest here and get over come with random rage and have to go dig out the original "Rollerball" which is worth a look, for it's derby similarities.....if slight ones.

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